Works of YOKOYAMA Aska

updated: may 30, 2011

CAREER AND WORKS

AMABIKI 2011 / YOKOYAMA Aska

Toward a place with light
Toward a place with light
Wood, Marble flour, Natural light
280×280×280 (h)cm
42×240×400 (h)cm
Now that winter is heading into spring, the strength of the sun waxes day by day, heralding the approach of a new season.
Feeling the light of early spring with my entire body, I go walking straight ahead towards the hope that lies beyond it.
When the light penetrates into this wood, my work is completed by that moment of light.

AMABIKI 2008 / YOKOYAMA Aska

Long Way to Go
Long Way to Go
Wood and Others
92×260×260 (h)cm
The wind ruffles the grassland, and looking up shows a broad and distant sky.
As time stops, or sometimes runs backwards, I want to walk from here again, along this road.
I entrust my hopes to the single red pine still living on that distant mountain.

AMABIKI 2006 / YOKOYAMA Aska

Recurrence-Reincarnation
Recurrence-Reincarnation
Withered tree, Dead tree, Beech seedling
1000×1000×700 (h)cm
A year ago, looking at a dead red pine that was clearly different from the leafless trees awaiting spring, "death" took possession of me. Before the stark reality of destruction of nature as a price we pay for civilization, there is nothing that can be done.
In order to return to our distant and forgotten origins, and to set out again to take a new first step, I must believe in a small hope of growing buds this spring.

THE FIFTH AMABIKI VILLAGE AND SCULPTURE / YOKOYAMA Aska

A_Way_Toward_the_Sacred_Place
A Way Toward the Sacred Place
Cement
2600×45×30 cm
Going through Amabiki Village, one notices the large and small shrines all around. Entering a shrine, one is isolated from the hubbub of the everyday and enfolded in an extraordinary tranquility. That is a thousand-year memory that will be inscribed within me, a moment called into being across time and space. The human world and the realm of the gods are revealed in an arrow-straight road existing as a link between this bank and the other side.

THE FOURTH AMABIKI VILLAGE AND SCULPTURE / YOKOYAMA Aska

Skylight
Skylight
Wood, Fluorescent paint, Natural light
300×300×480 cm
There are some moments in daily life when you re-recognize the presence of light that fills space. Light is noticed when it touches something, but I wanted to take the light that must exist between the source and the thing it falls on, and make it tangible. This is a device that gathers the natural light that pours down by day, and subtly emits light when darkness falls. It presents an experience of light.

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